Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Arshagouni, Michael Hrair | Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. |
diss. |
| | 1994 |
xv, 422p |
|
| 2. | Bell, Michael Stephen | The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. |
diss. |
| | 1994 |
204p |
|
| 3. | Boursy, Richard | Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. |
diss. |
| | 1994 |
412p |
|
| 4. | Cooper, John Michael | Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. |
diss. |
| | 1994 |
xv, 455p |
|
| 5. | Dauer, Robin Lee | Three works for voice and French horn with accompaniment. |
diss. |
| | 1994 |
72p |
|
| 6. | Greenbaum, Sarah | Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. |
diss. |
| | 1994 |
|
|
| 7. | Gross, Steven Lee | The Evolution and Nomenclature of Bach's Horn Parts. |
diss. |
| | 1994 |
143p |
|
| 8. | Hill, David S. | The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. |
diss. |
| | 1994 |
302p |
|
| 9. | Huang, Fung-yin | Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. |
diss. |
| | 1994 |
ix, 120p |
|
| 10. | Häußler, Rita | Die Lutherischen Messen Johann Sebastian Bachs. Studien zum Parodieverfahren in den Messen BWV 233-236. |
diss. |
| | 1994 |
181p |
|
| 11. | Kaplan, Harriet Marlene | An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. |
diss. |
| | 1994 |
98p |
|
| 12. | Mulvey, Margaret Neal | The School Fugue. Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. |
diss. |
| | 1994 |
194p |
|
| 13. | Orgass, Stefan | Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). |
diss. |
| | 1994 |
|
|
| 14. | Polevoi, Randall Mark | The Controversy over Bach's Trills: Towards a Reconsiliation. |
diss. |
| | 1994 |
166p |
|
| 15. | Qureshi, Rifat Javed | The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso' |
diss. |
| | 1994 |
72p |
|
| 16. | Sandberger, Wolfgang | Das Bach-Bild Philipp Spittas. |
diss. |
| | 1994 |
|
|
| 17. | Sandler, Vadim | Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. |
diss. |
| | 1994 |
16p |
|
| 18. | Snustad, Nancy | The allemandes in the six suites for solo cello by J.S. Bach: An analysis and comparison. |
diss. |
| | 1994 |
91p |
|
| 19. | Stewart, John D. | The Pedagogy of Transition: Issues of Composition and Craft in the Bach Chorales and Bach Fugues. |
diss. |
| | 1994 |
vi, 231 Bl |
|
| 20. | Weber, Rudolf | Musikalische Autonomie und Textbezug in Vokalwerken von strenger Satztechnik. |
diss. |
| | 1994 |
280p |
|
| 21. | Wells, Mark | The fugues of Joseph Rheinberger's organ sonatas: An historical and analytical study. |
diss. |
| | 1994 |
176p |
|
| 22. | Yearsley, David Gaynor | Ideologies of learned counterpoint in the northern German Baroque. |
diss. |
| | 1994 |
376p |
|
| 23. | Yoon, Soomee | Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. |
diss. |
| | 1994 |
xi, 67p |
|